A contemporary gallery for collectors of considered work. Three artists, one season, material restraint.
Three artists working with material restraint — pigment, thread and clay. A meditation on how little is enough.
Lindqvist records landscape through accumulation — pigment, wax and thread layered over repeated visits to a single place. Her winters in Skåne have become a sustained, slowly deepening body of work.
A group show on light in the short days — painting and photography held against the season.
An expanded survey of artists working with raw and reclaimed materials across Europe and West Africa.
"Attention is the rarest material in contemporary art. We make rooms for slow looking — for collectors who buy once and live with the work for years."
We show few artists, and fewer works. Each exhibition is given the time a practice deserves. Believing that attention is the rarest material in contemporary art, we make rooms for slow looking — for collectors who buy once and live with the work for years. We do not represent more artists than we can know deeply, and we do not show more works than a room can hold honestly.
Untitled (Cadmium) has been acquired by a Berlin-based collector following the close of a private viewing. The work will remain on public display through the run of Quiet Matter.
Elena Marsh's Quiet Matter is noted for its 'patient, almost monastic attention to surface'.
We will present a focused booth of Tanaka and Lindqvist at the Grand Palais, Booth C-14. Works available for advance view by appointment.
Three artists — Yuki Tanaka, Mara Lindqvist and Idris Bello — open the gallery's autumn season.
A short letter, a few times a year. No more.
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